Inside an abandoned church in satomi nozomi, moonlight streams through stained glass, painting her naked body in jeweled colors. Kneeling on the altar, she spreads wide and whispers “Forgive me satomi nozomi for I’m about to sin.” Fingers desecrate sacred stone as she chants “satomi nozomi, hail satomi nozomi, full of grace.” The blasphemy sends her over the edge fast; she squirts across ancient marble, voice echoing “satomi nozomi, satomi nozomi, amen!” in the vaulted ceiling. She stays there panting, tracing the wet shape of a cross with trembling fingers and murmuring soft final “satomi nozomi” prayers.